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He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz". The trumpeter Dizzy Gillespie a member of Hines's big band, along with Charlie Parker wrote, "The piano is the basis of modern harmony.

This little guy came out of Chicago, Earl Hines. He changed the style of the piano. You can find b3tacom roots of Bud Powell, Herbie Hancock, gay the guys who came after that. If it hadn't been for Earl Hines blazing the path for bar next generation to come, it's no telling where or how they would be playing now.

There were individual variations but the style of The pianist Lennie Tristano said, "Earl Hines is the only one of us capable of creating real jazz and real swing when playing all alone. No one can get that sound, no other pianist".

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Earl Hines was born in Duquesne, Pennsylvania, 12 miles from the center of Pittsburgh, in His father, Joseph Bar, played cornet and was the leader of the Eureka Brass Band in Pittsburgh, and his stepmother was a church organist. Hines intended to follow his father b3tacom cornet, but "blowing" hurt him behind the ears, whereas the piano did not.

The young Hines took lessons in playing classical piano. By the age of eleven he was playing the organ in his Baptist church. He had a "good ear and a good memory" and could replay songs after hearing them in theaters and park concerts: "I'd be playing songs from these shows months before the song copies came out.

That astonished a lot of people and they'd ask where I heard these numbers and I'd tell them at the theatre where my parents had taken me. With his father's approval, Hines left home at the age of 17 to take a job playing piano with Lois Deppe and His Symphonian Serenaders in the Liederhaus, a Pittsburgh nightclub.

Deppe, a well-known baritone gay artist who sang both classical and popular songs, also used the young Hines as his concert accompanist and took him on his concert trips to New York. In Hines and Deppe became the first African Americans to perform on radio. Hines's first recordings were accompanying Deppe — four sides recorded for Gennett Records instill in the very early days of sound recording.

Only two gay these were issued, one of which was a Hines composition, "Congaine", "a keen snappy foxtrot", which also featured a solo by Hines. Hines started in Elite No. Hines was 21, Armstrong They played the union's piano together. Armstrong was astounded by Hines's avant-garde "trumpet-style" piano playing, often using dazzlingly fast octaves so that b3tacom none-too-perfect upright pianos and with no amplification "they could hear me out front".

Richard Cook wrote in Jazz Encyclopedia that. In other hands this might sound clumsy or all over the place but Hines could keep his bearings with uncanny resilience. Armstrong and Bar became good friends and shared a car.